|
Averroës
to Raphael[*] |
Averroës on Aristotle’s Criticism of his
Predecessors: An annotated translation of the long commentary
on Aristotle’s Metaphysics A |
Averroës to Chahine[†] |
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CONTENTS
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{Notes on reading this work:
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annotation. However, given that there is more than one link to a
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(2) Where it is necessary to employ Arabic terms in the
work, particularly in the endnotes and in the annotations, the transliteration
employs Linguist Software’s Semitic Transliterator™ font (except that for the
letters ’alif and ‘ayn I simply employ the closing and opening
upper comma, respectively). The text may
not be reproduced accurately in your equipment if that font is not installed
therein, in particular in the cases of some Arabic consonants whose
transliteration employs certain diacritical marks. In order to ameliorate the situation, where
the word includes any of these consonants I also give it in Arabic script.}
{Note added 6/21/07: The endnotes to these Averroës pages also contain Greek words here and there, as well as the usual capital Greek letters to denote the books of Metaphysics. If the Greek does not appear for you, try adjusting the settings of your browser as explained in the note at the end of the main Hesiod page.}
Links to
Contents:
Preface/Introduction
(motivation for the work and its general characteristics).
Comments
1-8, on Aristotle, Metaphysics A 5, 986a6-A 6, 988a2 (summary
statements on the monists, Empedocles and Anaxagoras, the Pythagoreans, and
Plato).
Comments
9-16, on A 6, 988a4-16, A 7, 988b17-A 8, 989b6 (more summary of Plato;
criticism of the monists, and of Empedocles and Anaxagoras).
Comments
17-24, on A 8, 989b6-A 9, 990a34 (more criticism of Anaxagoras, and of the
Pythagoreans).
(Comments 25-49, on Aristotle’s criticism of Plato in Chapter 9, are not
included at the present time.)
Comments
50-51, on A 10, 993a11-27 (general summary of Book A).
Annotations
(dealing with errors in the Arabic translation of Aristotle, clarification of
Averroës’s comments, references to other commentators, and miscellaneous
matters).
Bibliography,
including abbreviations used in the endnotes.
© 2007 E. F. Beall
[*]
Detail from Raphael’s fresco Scuola di Atene (“
[†]
From Le destin (al-Massir, “Destiny”), a film by Youssef Chahine
(Egypt/France, 1997), with Nour el-Cherif as Averroës (for an enlargement, go to the “cinopsis” website at this page, and click on the image shown there). Near the end of the film the protagonist thanks the caliph’s men for
burning his books, because “ideas have wings,” i.e., travel better when
unencumbered by writing. Nonetheless, one of his disciples smuggled some copies into